Thursday, 11 September 2025

Poems written during WW1 in an autograph album

Historian Debbie Cameron posted this on her Facebook Page Remembering British women In WW1 -The Home Front & Overseas 

https://www.facebook.com/groups/1468972083412699/posts/3668126483497237/?comment_id=3668806230095929&reply_comment_id=3668812406761978&notif_id=1757589093891533&notif_t=group_comment_mention

"I recently posted on my weblog about an autograph book I have that belonged to Doris Freeman (Dolly) a Member of the WRAF, stationed at Lympne in Kent in World War One.  


While reading some of the poems before further research, I realised that as well as the usual "ditties" and quotes, there were several poems that were written by friends of Dolly that relate to their experiences in the War as it was happening.   I thought it would be fitting to publish these - in their own way as important and authentic as the so-called "War Poets". 

Don’t worry about trying to decipher them…My post gives a transcript of the poems!   I particularly like a rather jaunty one in which the writer looks ahead to a Christmas at peace and with the daughters’ service recognised, as well as ma’s!”

Debbie's weblog is   http://historicalclues.blogspot.com/2025


Saturday, 19 July 2025

Agatha Christie (1890 - 1976) – British writer, poet and WW1 VAD

With thanks to Debbie Cameron* for this amazing discovery and for her permission to share it with you.

Debbie explains her discovery:

“This is brilliant. I found it on a Royal College of Nursing website:

  “What we did in the Great War’, a hand-made magazine created by Agatha Christie and other VADs, 1918. Before she became the world’s leading crime novelist, Agatha Christie served as a volunteer nurse (VAD) in the First World War. 


She created a remarkable magazine with fellow VADs. It includes a fascinating array of illustrated articles, dramatic scripts and musical scores. There is even a comic strip story featuring a poisoning – a theme that Christie would return to in her best-selling crime novels. Lent by The British Psychoanalytical Society Archive

Lucy London there is a poem by the great lady herself. About pharmacists! 

I think these are the only pages digitised: “

https://www.rcn.org.uk/servicescrapbooks/


NOTES: 

Agatha was born Agatha Mary Clarissa Miller on 15th September 1890 in Torquay, Devonshire, UK. Her parents were Frederick Alvah Miller, an American “gentleman of substance", and his wife Clarissa "Clara" Margaret,  née Boehmer. She was the youngest of three children 

When Agatha grew up, she had short-lived relationships with four men and an engagement to another. In October 1912, she was introduced to Archibald "Archie" Christie at a dance given by Lord and Lady Clifford at Ugbrooke, about 12 miles (19 km) from Torquay. The son of a barrister in the Indian Civil Service, Archie was a Royal Artillery officer who was seconded to the Royal Flying Corps in April 1913. The couple quickly fell in love. Three months after their first meeting, Archie proposed marriage, and Agatha accepted.

During the First World War, Agatha Christie served as a nurse in a Voluntary Aid Detachment (VAD) at a makeshift hospital in Torquay Town Hall. She worked with the Red Cross caring for wounded soldiers, assisting in the operating theater, and later worked in the dispensary. Her experiences during the war, particularly her knowledge of poisons gained while working in the dispensary, significantly influenced her later writing, especially her use of poison as a murder weapon in her detective novels. Her first novel - "The Mysterious Affair at Styles" - was written during that period and published after the war.

Original source:

*Historian and writer Debbie Cameron has this Facebook Page dedicated to the women of WW1 *https://www.facebook.com/groups/1468972083412699/?multi_permalinks=3582402482069638&notif_id=1749058185896028&notif_t=feedback_reaction_generic_tagged&ref=notif

Additional sources:  Find my Past and Wikipedia









Thursday, 26 September 2024

Good news from Bairbre O’Hogan regarding her biography of Winifred Mabel Letts

I am delighted to let you know that “Sing in the Quiet Places of my Heart”, my biography of W.M. Letts (1882-1972) - poet, war poet, dramatist, children's writer, novelist - will be launched on Sunday 20th October 2024, at 2pm in the recently-refurbished Old Courthouse, Rathcoole, D24 YP97 - as part of the Red Line Book Festival. The book was commissioned by, and is published by, South Dublin Libraries

South Dublin Libraries request that, if interested in attending, you book your place at the launch via The Red Line Book Festival website: W.M. Letts Book Launch | Sunday October 20th 2pm | Red Line Book Festival (redlinefestival.ie)

Following the launch on 20th October, the book will be available for purchase (€20) from South Dublin Librariestallaghtlibrary@sdublincoco.ie

Bairbre O'Hogan, 26th September 2024




Thursday, 5 September 2024

Fredegond Cecily Shove - née Maitland (1889–1949) - British poet.

With thanks to Dr Connie Ruzich* for reminding  me that I had not yet posted my research about Fredegond Shove here 

Fredegond Cecily Maitland was born in Cambridge, UK in 1889, the birth being registered in March of that year.  Her parents were Legal Historian, Frederic William Maitland and his wife, Florence Henrietta, nee Fisher. Friedegon’s father taught English Law at Downing College, St Benedict, Cambridge University.  Her mother was a maternal first cousin of Virginia Woolf and sister of Adeline Maria Fisher, the wife of Ralph Vaughan Williams. Her mother's second marriage to Francis Darwin in 1913 brought her in contact with his extended family. 

Friedegond attended Newnham College, Cambridge University from 1910–1913 and during that period also spent time in London with the Vaughan Williams family.  

Gerald and Fredegond
In 1915 Fredegond married British economist Gerald Frank Shove, who like her own family, had links with the Bloomsbury Group. As a conscientious objector doing farming as his alternative service during the First World War, Gerald worked at Garsington Manor near Oxford for most of 1916–1917. 

The future Juliette Huxley, who was working there as a French tutor, later reminisced: "In those days... I saw a good deal of Fredegond Shove, Gerald's wife, who lived like a Spartan at the Bailiff's Cottage." 

Their employer, Lady Ottoline Morrell, also remembered Fredegond then as "an enchanting creature, very sensitive, delicate and highly strung, with a fantastic imagination".


After her death in 1949, Fredegond was buried with her husband and other family members in the Ascension Parish Burial Ground in Cambridge. Her sister Ermengarde Maitland (1887–1968) acted as her literary executor and had the poet's brief memoirs of her early years and married life privately published as Fredegond and Gerald Shove (1952). In the introduction to this, she described sorting through the house and finding poems "everywhere: fairly copied in note-books, scribbled on bits of paper, stuffed into bookcases, cupboards and desks – one would not have been surprised to have found them in the oven – literally hundreds of poems."

According to Catherine W. Reilly in her Bibliography ”English Poetry of the First World War” (St. Martin’s Press, New York, 1978) - p. 293, Friedegond Shove’s WW1 poems were published under the title “Dreams and Journeys” (Blackwell, Oxford, 1918) and she also had poems published in two WW1 anthologies. (pp. 19 and 23): 


Fredegond's poem from “The paths of glory: a collection of poems written during the War, 1914-1918” Ed. Bertram Lloyd (Allen & Unwin, 1919), pp. 98 - 99.

and in "Men who march away" Ed. L.M. Parsons (Chatto & Windus, 1965).

Sources:  Wikipedia, Find my Past, FreeBMD 

https://www.npg.org.uk/collections/search/person/mp72056/gerald-frank-shove

https://archive.org/details/pathsofglorycoll00lloy/page/n9/mode/2up

* You can also Fredegond’s poem “The Farmer” here  on Dr. Connie Ruzich’s wonderful website Behind their Lines  https://behindtheirlines.blogspot.com/2017/04/conscientious-objectors.html


Saturday, 18 May 2024

M. Waller Paton ( - ) – Poet

 I found this poem written by M. Waller Paton in the First World War Poetry Anthology “One Hundred of the Best Poems on the European War by Women Poets of the Empire”, Edited by Charles R. Forshaw (Elliot Stock, London, 1916), on page 117.  BUT I cannot find anything out about M. Waller Paton.  Can anyone help please?



 

M. Waller Patton is mentioned briefly in Catherine W. Reilly's “English Poetry of the First World War: A Bibliography” (St. Martin’s Press, New York, 1978) on page  249.

Saturday, 27 April 2024

Ophelia George Mather (1883 - 1972) – British schoolteacher and poet

Ophelia George Mather was born on 1st September 1883  in Derby, Derbyshire, UK.  Her parents were George Henry Mather, a draper and tailor, and his wife, Amelia Sarah Mather, nee George.  

Ophelia trained to become a schoolteacher and lived in Derby all her life.  She frequently had poems published in local newspapers and the following  poem was also included in “One hundred of the Best Poems on the European War By Women Poets of the Empire” Edited by Charles Frederick Forshaw (Elliot Stock, London, 1916) pages 103 – 107.

“THE GLORY OF WAR” by Ophelia George Mather. Also published in “The Derby Daily Telegraph” on 8th October 1915 

THERE'S glory in the khaki stream That passes through the station-gate! Perhaps there's glory in the gleam

That fills the eyes of those who wait ! Its glamour leads them to their homes, And blinds the bright eye w-hen it roams

Around the empty room ! Yet when away with day it steals, What suffering form is this, that kneels Half-fainting with the pain she feels At Glory's stroke of doom ?

Does Glory fill the heart of her

Who hears one voice in ev'ry sound,

And sees but one face everywhere^ And gazes hopelessly around,

Biting the lip to keep back tears

That bode to drown all future years In seas of misery?

Who tries to give, wath scarce a groan,

The only heart that matched her own,

Knowing that she is left alone With Glory's legacy?


Britain, with other lands, will boast How native warriors rushed to meet

The bold invaders of our coast

Until their downfall was complete !

How Glory stood where ranks were thin,

And cheered above the shrapnel-din, And smiled among the stench

Of reeking bodies, graveless still,

By silent wood and lonely hill,

Or sang its most triumphant trill,

In the death-haunted trench !

They'll tell how Glory stood its ground,

Where men half -gasped their lives away, And in the foulest vapours found

The incense of a hero's day ! How Glory let them slake their thirst Where evil brain had done its worst,

And left a poisoned stream ! Still onward Glory's beckoning light Leads through the inky vault of night. Where the air bristles with affright And apprehensive dreams !

Has Glory other charms than these ?

Its radiance penetrates beneath The darkened fathoms of the seas

And there reveals the victor's wreath! Where craftily destroyers creep Among the dwellers of the deep,

In quest of human prey ! Sea-vampires, blood-suckers, or ghouls, With tentacles that bait for souls, Bidding the ocean as it rolls

Hide half their guilt away !


There is no infamy so great But Glory gilds the very deed,

Till our dulled senses estimate The values of a noxious weed,

As though 'twere Honour's stainless flow'r.

The amaranth of lawful pow'r

By Justice proudly worn !

Glory so flauntingly behaves

On land, in air, or on the waves,

That Britain's war-lords in their graves Must turn and writhe with scorn !


There's something more than Glory's dream That makes men choose a sordid death,

Victims of every evil scheme,

Dishonour tainting every breath !

Each building his own funeral pyre

In w'reathing flames of liquid fire Kindled by fiendish hands !

They feel no glory, where they lie

Half-sodden in some loathsome stye.

Some dug-out trap wherein to die, In weary, waiting bands !


There's something, — call it what you will, Revenge, — or outraged sense of right.

Or Nature's own instinct to kill Repulsive germ or parasite !

An impulse to bring down each threat

That dares to menace Britons yet. With arrogant conceit !

Each holds a brief for some dear life.

Defenceless mother, child, or wife.

And enters the ignoble strife. Us purpose to defeat !


With such a bold yet skulking foe There is no glory in the fight !

Truce-violaters cannot know

The line that severs Wrong from Right !

When lying murderers take the fieldj

Is there one Briton who would yield, Or would refuse to go ?

Although he sickens at the thought

Of battles that are foully fought,

Of honour that is set at nought, With mockery laid low !


No ! Not for Glory, nor for Fame !

As once 'twas said in Marlborough's day, But to avenge our own good name,

To stand by comrades, come what may! To stifle bullies in their shame. To make them taste their own low game,

Until their vauntings cease ; Nor ever call the war-dogs in, Till, with their quarry at Berlin, Their barks proclaim how Britons win An honourable peace !

Inside page from
Anthology


Sources:  Find my Past, FreeBMD,

Catherine W. Reilly “English Poetry of the First World War: A Bibliography” (St. Martin’s Press, New York, 1978)  pp. 220 and 9;

https://archive.org/details/onehundredofbest02fors/page/108/mode/2up?view=theater

https://archive.org/stream/onehundredofbest02fors/onehundredofbest02fors_djvu.txt


Saturday, 6 April 2024

Mildred Huxley (? - ? ) - possibly British - no apparent link to Aldous Huxley


While trying to find out if the author Aldous Huxley wrote any poems during the First World War, I discovered another female WW1 poet but cannot find out any definite information about Mildred - whether Huxley was her maiden name, married name or a pen name... However, it would seem from the following poem that she may have been British. 

 If anyone can help please get in touch. 


OXFORD


And I — I watched them working, dreaming, playing,

⁠Saw their young bodies fit the mind's desire,

Felt them reach outward, upward, still obeying

⁠The passionate dictates of their hidden fire.



Yet here and there some greybeard breathed derision,

⁠"Too much of luxury, too soft an age!

Your careless Galahads will see no vision,

⁠Your knights will make no mark on honour's page."


No mark? - Go ask the broken fields in Flanders,

⁠Ask the great dead who watched in ancient Troy,

Ask the old moon as round the world she wanders

⁠What of the men who were my hope and joy!


They are but fragments of Imperial splendour,

⁠Handfuls of might amid a mighty host,

Yet I, who saw them go with proud surrender,

⁠May surely claim to love them first and most.


They who had all, gave all. Their half-writ story

⁠Lies in the empty halls they knew so well,

But they, the knights of God, shall see His glory,

⁠And find the Grail ev'n in the fire of hell.


Mildred Huxley


Poetry:

"Shadows" (Mar 1910)

"World Conquerers" (May 1911)

"Recalled" (Aug 1911)

"Big Boy's Lullaby" (Mar 1912)

"On the New Road" (Oct 1912)

"As a Man Soweth" (Jun 1913)

"Subalterns: a song of Oxford" (Sep 1916)

Also:

From A Treasury of War Poetry, ... 1914-1919 (1917):

"Subalterns", p. 127; "To My Godson", p. 401.


According to Catherine W. Reilly in her fantastic book “English Poetry of the First World War:  A Bibliography” (St. Martin’s Press, New York, 1978), on p 177,  Mildred Huxley had a poem or poems published in 8 WW1 anthologies.