A friend has asked me to help in finding out more about Roma White, who wrote a poem about the Battle of Jutland.
Can anyone help please?
Tuesday, 8 April 2014
Saturday, 5 April 2014
WW1 Commemorative Exhibition, Salford Museum and Art Gallery until June 2015
We supplied some panels to the Museum and Art Gallery in Salford but I haven't had a chance to visit it yet - though I hope to go soon and will write a review. In the meantime, here is their flyer:
Salford Museum and Art Gallery
Peel Park
Crescent
MANCHESTER M5 4WU
Salford Museum and Art Gallery
Peel Park
Crescent
MANCHESTER M5 4WU
Violet Spender - one of her poems
With very grateful thanks to Violet’s Great-Niece
Annette Shelford, who wrote to “The Times” to tell us about Violet Spender, and who replied to my letter with a great deal of information, I
am now able to bring you a sample of Violet’s poetry, a photograph and a little
more about her.
This is one of the most fantastic aspects of my project - being able to bring you news of lesser known poets. My thanks to Annette and to "The Times":
To John
(who died in France, March 1918. With a bunch
of primroses picked by the children.)
“Heaviness endureth for a night: but joy
cometh in the morning.”
Bright are our English fields with flowers and
corn,
While other lands are seared by fear and torn,
And in the lanes our English children play,
Our laughing children, all too young as yet
To know French fields with English blood are wet,
The price which you, and our heroes had to pay
To keep the fierce and ruthless foe at bay.
My happy children, whom you died to save,
Have plucked these primrose blossoms for your
grave:
God made them, when they grow to man’s estate,
Be worthy of a sacrifice as great
As you have made – not only you, but she
Who, for these children’s sakes, will never see
Her little babies dandled on your knee.
After her death, Violet’s husband
Harold Spender wrote of her:
‘The writer of these verses was
snatched from us just as she seemed on the threshold of a fuller, happier
life: and we are still sitting in the shadow of that eclipse. We
cannot penetrate the mystery that shrouds the passing of one so young and so
loved. We can only bow the head. She wrote poetry because she could
not help it. She was breathed upon by the divine wind from
Parnassus. There were times when she seemed driven before it as by a
tempest. Then she would not rest until the haunting idea had taken shape
and form. But these burst were followed by great fatigues, and she was
rarely capable of prolonged and continuous poetic effort. The
sheets of paper would like around her, and we, who treasured her work, would
often have to collect and preserve them after she had herself forgotten
them. For she thought little of her work: it always fell short of
her ideal. The Great War filled her mind with deep
perplexities: she looked out on its waste and desolation with agonising
pity for all men: and she often sought relief in poetry. What
she thought and dreamed and hoped in her brief and crowded life will best be
shown. For Poetry was her language. Poetry was her life.’
Photograph of Violet kindly supplied by Annette Shelford.
Sunday, 30 March 2014
New to me - Violet Spender
I was very pleased to read in a Letter to the Editor in "The Times" on Saturday, 29th March 2014 of a poet called Violet Spender. She is not on my list so I just had to try to find out more about her.
Violet was born Violet Hilda Schuster in England in
1890. Violet’s father Ernest
Joseph Schuster, came from a Jewish family who had converted to Christianity.
Violet’s mother, Hilda Weber, was the daughter of Sir Herman Weber, a German
Catholic whose mother was part Italian. Herman came to England from Germany, became a renowned
physician and friend of Prime Minister Gladstone and was knighted in 1899. He died
on Armistice Day in 1918.
Herman married a Danish Lutheran and their daughter Hilda was Violet’s
mother. Hilda was interested in art and literature and was committed to helping good
causes. In 1876, Hilda married Ernest Joseph Schuster, the son of a
German-Jewish banker who had emigrated to England.
Violet was a very sensitive, artistic person and she
suffered from ill health. She was
an accomplished poet and artist.
Her brother, Alfred, who was a Lieutenant in the 4th (Queen’s
Own) Hussars, was killed during The First World War, which affected Violet deeply.
Violet died after an operation in London on 4th
December 1921 at the age of forty-four.
A collection of her poems was published in 1922 under the title “The
Path to Caister and other poems” by Sidgwick and Jackson.
Source:
Wikipedia and http://www.freebmd.org.uk/cgi/search.pl
LEEMING, David.- “Stephen Spender A Life in Modernisn”.
(Henry Holt & Co. LLC, New York, 1999)
With thanks to "The Times" for publishing Annette Shelford's letter.
If anyone knows of other poets not yet on my list please get in touch - they all deserve to be heard.
Monday, 10 March 2014
Rosaleen Graves (1894 - 1989) - British
Rosaleen is just one of the British women poets featured in Volume 2 of Female War Poets of the First World War. To find out more please see the website http://www.poshupnorth.com/2016/09/female-poets-of-first-world-war-volume-2_27.html
I have written about Rosaleen Graves before but I can now bring you the finished wording that will go on the exhibition panel. With many thanks to Sue of the wonderful website www.scarletfinders.co.uk for suggesting I contact the British Red Cross, to the Red Cross for finding Rosaleen's WW1 service record and to Sally Ronchetti for the beautiful portrait of Rosaleen.
Rosaleen, sister of the WW1 soldier poet and writer Robert Graves, was born in Wimbledon on 7th March 1894. Her father was Alfred Perceval Graves, the second son of The Rt. Rev. Charles Graves, Bishop of Limerick (1846 – 1931). Alfred was a school inspector originally from Taunton, Somerset, and her mother was Amalie (‘Amy’) Elizabeth Sophie (or Sophia) von Ranke (1857 – 1951), eldest daughter of Professor Heinrich von Ranke MD, of Munich. Rosaleen’s grandmother was the daughter of Norwegian astronomer Ludwig Tiarks. Rosaleen’s father was an Anglo-Irish poet, born in Dublin. The Graves family home in Wimbledon was called "The Red Branch".
I have written about Rosaleen Graves before but I can now bring you the finished wording that will go on the exhibition panel. With many thanks to Sue of the wonderful website www.scarletfinders.co.uk for suggesting I contact the British Red Cross, to the Red Cross for finding Rosaleen's WW1 service record and to Sally Ronchetti for the beautiful portrait of Rosaleen.
Rosaleen, sister of the WW1 soldier poet and writer Robert Graves, was born in Wimbledon on 7th March 1894. Her father was Alfred Perceval Graves, the second son of The Rt. Rev. Charles Graves, Bishop of Limerick (1846 – 1931). Alfred was a school inspector originally from Taunton, Somerset, and her mother was Amalie (‘Amy’) Elizabeth Sophie (or Sophia) von Ranke (1857 – 1951), eldest daughter of Professor Heinrich von Ranke MD, of Munich. Rosaleen’s grandmother was the daughter of Norwegian astronomer Ludwig Tiarks. Rosaleen’s father was an Anglo-Irish poet, born in Dublin. The Graves family home in Wimbledon was called "The Red Branch".
Rosaleen was a poet and musician. She joined the
Voluntary Aid Detachment on 17th September 1915 and, after initial
training in Chislehurst and London, she was sent to No. 54 General Hospital in
Wimereux, France on 23rd November 1917. Rosaleen served in France until 14th March 1919.
No. 54 Hospital in Wimereux was
one of the Base Hospitals known as "London General Hospital" and was
in operation from July 1917 until May 1919.
You can find a comprehensive
description of the Base Hospitals in France and elsewhere during the First
World War, by following the linkhttp://www.1914-1918.net/hospitals.htm
Rosaleen's poem "The Smells
of Home" - which awakened my curiosity and made me find out more about Rosaleen - was first published in "The Spectator" on 30th November
1918 and is included on page 269 of the WW1 Anthology "The Winter of the
World Poems of the First World War", edited by Dominic Hibberd and John
Onions, published by Constable and Robinson Ltd., London, 2007.
After the War, Rosaleen trained as a doctor and
worked as a GP in Devon. In the Spring of 1932,
Rosaleen married James Francis Cooper at St. Martin’s in London. The couple had three children.
Among her published works are “Night Sounds and other
poems”, published by Basil Blackwell in Oxford in 1923, “Snapdragons Poems“ by
Rosaleen Graves Cooper and “The Silver Mirror. Breton Folk Air", words
translated from the Breton by A.P. Graves and arranged by R. Graves (1928).
Rosaleen died on 3rd August 1989 in
Wimbledon, London, England.
‘A STRONGER THAN HE SHALL COME UPON HIM...’ by Rosaleen Graves
AND then he was seized by one who was stronger than he,
Seized and tamed and bound and forced to obey;
From the swinging choice of evil or good he was free;
Good was no longer; evil had vanished away
He left to another the gain or loss of the day.
Was he driven or drawn? What matter? He was content.
He yielded him, body and soul, to the whirl of War
As one yields to the high sea-wind, and is buffered, bent
To his will, when, shouting, he stamps in over the shore
Triumphant, driving all things like dust before.
Can aught but a rock stand firm, or question his might
Who tosses the leaves and clouds from a hand so strong?
The trees and grasses bow in awe of his might,
And men in the mountains, hearing his giant-song,
Yield, and are hurried—whirled—hounded along.
Thus he yielded to War, who was stronger than he—
No time to think—no time to ponder and weigh—
He was swept like a straw on the wind—and yet he knew himself free
Was it freedom or bondage, this? In truth, it were hard to say;
But, slave or king, he bowed his head to obey.
(Luke 11: 22)
From: “Oxford Poetry 1921”, Edited by Alan Porter, Richard Hughes and Robert Graves. (Basil Blackwell, Oxford, 1921)
https://www.gutenberg.org/files/50429/50429-h/50429-h.htm
Source: Wikipedia and the British Red Cross
Sally Ronchetti,
who drew the portrait of Rosaleen in her Red Cross VAD uniform, is an artist
and qualified nurse from Cornwall.
Sally works mainly in graphite portraiture but also paints in oils and
acrylics from time to time. She
accepts commissions. You can see
more of Sally’s beautiful work on www.salyronchetti.co.uk
Thursday, 6 March 2014
A very inspirational letter
I hope no-one will mind me changing to the Second World War for one post. I received a delightful letter this morning in response to the letter printed by "The Daily Mail" on 27th February 2014.
A lady called Sylvia Wild wrote to me, telling me about a book she has written about her time in the ATS during WW2 - "Woman at the Front" published by Amberley Books.
It sounds extremely good and I thought you might be interested too, so here is the link:
http://www.amberleybooks.com/shop/article_9781445603698/Woman-at-the-Front%3CBR%3EMemories-of-an-ATS-girl-from-D-day-1945%3CBR%3E%3CI%3ESylvia-Wild%3C_I%3E.html?shop_param=cid%3D4%26aid%3D9781445603698%26
Photo: HRH Princess Elizabeth in the ATS during WW1 - Google Images
With many thanks to Sylvia for writing to me and to the Editor of the Daily Mail Letters Page for kindly forwarding the letter to me.
A lady called Sylvia Wild wrote to me, telling me about a book she has written about her time in the ATS during WW2 - "Woman at the Front" published by Amberley Books.
It sounds extremely good and I thought you might be interested too, so here is the link:
http://www.amberleybooks.com/shop/article_9781445603698/Woman-at-the-Front%3CBR%3EMemories-of-an-ATS-girl-from-D-day-1945%3CBR%3E%3CI%3ESylvia-Wild%3C_I%3E.html?shop_param=cid%3D4%26aid%3D9781445603698%26
Photo: HRH Princess Elizabeth in the ATS during WW1 - Google Images
With many thanks to Sylvia for writing to me and to the Editor of the Daily Mail Letters Page for kindly forwarding the letter to me.
Monday, 3 March 2014
Storm Jameson
I have to thank Michael of the Great War Forum for asking me about Storm Jameson who is on my list of Female Poets of the First World War.
Thanks too to David Walsh and Jennifer Birkett who both replied speedily to my queries.
Thanks too to David Walsh and Jennifer Birkett who both replied speedily to my queries.
From David Walsh:
"Storm was primarily a prose writer
- her first novel was published in 1919, After that, she turned out novels on almost an assembly line
fashion, and any poetry may have been overlooked.
During WW1 Storm had members of her
family serving in the front line. Her father was a Captain in the Mercantile
Marine who was torpedoed by a U boat and became a POW in Germany.
Her brother was a pilot in the Royal Flying Corps and died as a result of
being shot down by hostile fire. Both events deeply affected Storm at a
time when she was trying to cope with a doomed marriage and bringing up a young
child.
This is not to say that she did
not take a stance on the war. She did: To quote from one web
biography talking about a post war work:
As Martin Ceadel, the author of Pacifism in Britain 1914-1945 (1980) has pointed out: "Her sense of outrage at the
Great War in which so many of her contemporaries, including her brother, had
been killed suddenly erupted into overt pacifism... Brooding upon the
depressing consequences of the war, she felt an acute sense of guilt at having
supported it, and turned her book into an outspoken anti-war polemic.... By the
end she had gone so far as to declare herself a pacifist."
FWIW I attach a link to an essay I wrote about Storm which mainly concentrates on her 'local' life in
the area where she came from and her political trajectory.
Best to read Jennifer Birkett's biography of Storm Jameson, which gives information on her decision to become a founding
member of the PPU and in so doing declare her all-out pacifism in the early 1930's. However, it needs to be said that she later regretted this stance in
the light of WW2. There's plenty of these to be had in second hand form
on the web.
Storm also wrote her
autobiography 'Journey from the North' which is in 2 volumes."
From Jennifer Birkett:
"I only know of one poem by Storm
Jameson, which was written, I think, in 1943 on the death of her sister, killed
by a wartime bomb… it was published in the Times Literary Supplement in that
year, and if you are interested you should be able to find a copy fairly easily
in the online Times Literary Supplement Centenary archive.
Best wishes for your project,"
Jennifer Birkett at The
University of Birmingham
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